{"id":207,"date":"2021-09-10T06:50:36","date_gmt":"2021-09-10T06:50:36","guid":{"rendered":"http:\/\/onurcaymaz.com\/?p=207"},"modified":"2021-09-10T06:51:22","modified_gmt":"2021-09-10T06:51:22","slug":"toplum","status":"publish","type":"post","link":"https:\/\/onurcaymaz.com\/index.php\/2021\/09\/10\/toplum\/","title":{"rendered":"Toplum Meseleleri Kar\u015f\u0131s\u0131nda Sanat\u00e7\u0131n\u0131n Durumu"},"content":{"rendered":"\n<p><strong>Post \u00d6yk\u00fc dergisinin 42&#8217;inci say\u0131s\u0131ndaki soru\u015fturmaya yan\u0131t.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"266\" height=\"329\" src=\"http:\/\/onurcaymaz.com\/wp-content\/uploads\/2021\/09\/mse.jpg\" alt=\"\" class=\"wp-image-208\" srcset=\"https:\/\/onurcaymaz.com\/wp-content\/uploads\/2021\/09\/mse.jpg 266w, https:\/\/onurcaymaz.com\/wp-content\/uploads\/2021\/09\/mse-243x300.jpg 243w\" sizes=\"auto, (max-width: 266px) 100vw, 266px\" \/><\/figure>\n\n\n\n<p>Daha \u00f6nce Varl\u0131k\u2019ta, 1952 y\u0131l\u0131 yaz mevsimi ba\u015f\u0131nda, Sunullah Ar\u0131soy&#8217;un, hik\u00e2yecilik sanat\u0131nda ustalar\u0131mdan sayd\u0131\u011f\u0131m Memduh \u015eevket Esendal&#8217;a sordu\u011fu soru, bu kez benim kar\u015f\u0131mda. B\u00fcy\u00fck sorumluluk. Edebiyata hep b\u00f6yle bir sorumluluk duygusuyla yakla\u015ft\u0131m, eklemeliyim. O halde ben de kendi hal\u0131mca cevap vermeye \u00e7al\u0131\u015fay\u0131m. Toplum meseleleri kar\u015f\u0131s\u0131nda sanat\u00e7\u0131n\u0131n durumu\u2026 Bakal\u0131m.<\/p>\n\n\n\n<p>Bir kere sorunun standart bir cevab\u0131 olmad\u0131\u011f\u0131n a\u00e7\u0131k\u00e7a belirtmek gerek. D\u00f6nemin diktat\u00f6r\u00fc Pinochet ile epeyce samimi olan Borges\u2019in, \u00f6mr\u00fcn\u00fcn son otuz y\u0131l\u0131nda hi\u00e7 gazete okuyup radyo dinlemedi\u011fini s\u00f6ylemek de var cevab\u0131n bir ucunda; Melih Cevdet gibi \u201cuyuyamayacaks\u0131n, memleketin hali, seni seslerle uyand\u0131racak\u201d diye dizeler s\u00f6ylemek de\u2026Telgrafhane \u015fiirinden s\u00f6z ediyorum, kim okumad\u0131 ki gen\u00e7ken\u2026 Sanat\u00e7\u0131 denen ki\u015fiyi de \u00e7ok uzun y\u0131llar, bu \u015fiirdeki gibi, gecenin i\u00e7inde bir sis \u00e7an\u0131 olarak d\u00fc\u015f\u00fcn\u00fcp durmu\u015fumdur.<\/p>\n\n\n\n<p>Memduh \u015eevket de sanat\u00e7\u0131 i\u00e7in iki tip getirmi\u015f: 1) Toplumun (beyefendi cemaat\u0131n demi\u015f) \u00f6n\u00fcnde giden, az say\u0131da ve \u00f6nc\u00fc sanat\u00e7\u0131lar. 2) Toplumun arkas\u0131nda gidip olan\u0131 biteni tespit edenler. \u00dcstat \u201colan\u201d\u0131 da t\u0131rnak i\u00e7ine alm\u0131\u015f. Olan, olmu\u015f oland\u0131r zira. Anlamak gideni ve gelmekte olan\u0131 diyordu ya N\u00e2z\u0131m. \u00d6yle.<\/p>\n\n\n\n<p>\u0130mdi, Borges\u2019in hali ve Anday\u2019\u0131n sanat\u00e7\u0131ya bi\u00e7ti\u011fi tutum var elimizde. Her ikisi de, Esendal\u2019\u0131n and\u0131\u011f\u0131 tutumlar\u0131n biri gerisinde di\u011feri de ilerisinde kal\u0131yor. Borges toplumun ne \u00f6n\u00fcnde, ne ard\u0131nda. Olan\u0131 alg\u0131lamaya \u00e7al\u0131\u015fan tip de Telgrafhane\u2019ye uymaz.<\/p>\n\n\n\n<p>Demek kavramlar, g\u00f6revler, tan\u0131mlar zamanla de\u011fi\u015fiyor. Bug\u00fcn toplumu uyarmak, sis \u00e7an\u0131 \u00e7almak, olan\u0131 tespit etmek sanat\u00e7\u0131dan \u00e7ok ayd\u0131n denilen ki\u015finin g\u00f6revi. Her sanat\u00e7\u0131 ayd\u0131n olacak diye bir kaide yok, her ayd\u0131n da sanat\u00e7\u0131 de\u011fil zaten. Gelgelelim ayd\u0131nlar da bug\u00fcn bildiri imzalamakla yetiniyor daha \u00e7ok.<\/p>\n\n\n\n<p>A\u00e7\u0131k konu\u015fay\u0131m da rahatlayal\u0131m. Bug\u00fcn T\u00fcrk toplumunun (ya da cemaat\u0131n\u0131n) \u00f6n\u00fcnde sanat\u00e7\u0131n\u0131n herhangi bir de\u011feri yok. Ayr\u0131ca kimse de yazd\u0131klar\u0131yla \u201csis \u00e7an\u0131 olmak\u201d gibi bir derdin pe\u015finde de\u011fil. Fakat Halide Edip, 2. D\u00fcnya Sava\u015f\u0131\u2019n\u0131n sonunda hemen Sonsuz Panay\u0131r\u2019\u0131 yaz\u0131p \u201colan\u201d\u0131 biteni anlatm\u0131\u015ft\u0131. B\u00fcy\u00fck Kurtulu\u015f\u2019ta da Ate\u015ften G\u00f6mlek, cepheden yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n<p><strong>Bu ba\u011flamda g\u00fcn\u00fcm\u00fczde \u00e7o\u011funluk tatl\u0131 bir \u015fakadan fazla \u015fey vaat etmeyen kimi eserlerle, \u00f6rne\u011fin Yakup Kadri\u2019nin Panorama\u2019s\u0131n\u0131, Orhan Kemal\u2019in Gurbet Ku\u015flar\u0131\u2019n\u0131, Adalet A\u011fao\u011flu\u2019nun \u00d6lmeye Yatmak\u2019\u0131n\u0131, Attil\u00e2 \u0130lhan\u2019\u0131n Yaraya Tuz Basmak\u2019\u0131n\u0131 kar\u015f\u0131la\u015ft\u0131rmak, bu g\u00fczel insanlara ve kitaplara hakaret olur kan\u0131s\u0131nday\u0131m.<\/strong><\/p>\n\n\n\n<p><strong>Bitirelim: Toplum sorunlar\u0131 kar\u015f\u0131s\u0131nda, bug\u00fcn sanat\u00e7\u0131, tuzla buz olmu\u015ftur efendim.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"191\" height=\"263\" src=\"http:\/\/onurcaymaz.com\/wp-content\/uploads\/2021\/09\/d.jpeg\" alt=\"\" class=\"wp-image-209\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Post \u00d6yk\u00fc dergisinin 42&#8217;inci say\u0131s\u0131ndaki soru\u015fturmaya yan\u0131t. Daha \u00f6nce Varl\u0131k\u2019ta, 1952 y\u0131l\u0131 yaz mevsimi ba\u015f\u0131nda, Sunullah Ar\u0131soy&#8217;un, hik\u00e2yecilik sanat\u0131nda ustalar\u0131mdan sayd\u0131\u011f\u0131m Memduh \u015eevket Esendal&#8217;a sordu\u011fu [&hellip;]<\/p>\n","protected":false},"author":2929,"featured_media":208,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[36,39,33,38,32,34,37,35,40],"class_list":["post-207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bazi-seyler","tag-borges","tag-melih-cevdet-anday","tag-memduh-sevket","tag-nazim","tag-post-oyku","tag-sanatci","tag-sunullah-arisoy","tag-toplum","tag-yakup-kadri"],"_links":{"self":[{"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/posts\/207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/users\/2929"}],"replies":[{"embeddable":true,"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/comments?post=207"}],"version-history":[{"count":1,"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/posts\/207\/revisions"}],"predecessor-version":[{"id":210,"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/posts\/207\/revisions\/210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/media\/208"}],"wp:attachment":[{"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/media?parent=207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/categories?post=207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/onurcaymaz.com\/index.php\/wp-json\/wp\/v2\/tags?post=207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}